Christopher Isherwood
Tampilan
Christopher Isherwood | |
---|---|
Lahir | Christopher William Bradshaw Isherwood 26 Agustus 1904 High Lane, Cheshire, Inggris |
Meninggal | 4 Januari 1986 Santa Monica, California, Amerika Serikat | (umur 81)
Pekerjaan | Novelis |
Kewarganegaraan | Britania Raya (sampai 1946) Amerika Serikat (dari 1946) |
Almamater | Corpus Christi College, Cambridge King's College London |
Genre | Modernisme |
Karya terkenal | |
Pasangan hidup | Heinz Neddermeyer (1932–1937) Don Bachardy (1953–1986) |
Tanda tangan |
Christopher William Bradshaw Isherwood (26 Agustus 1904 – 4 Januari 1986) adalah seorang novelis, pembuat sandiwara, penulis naskah, autobuografer dan pembuat buku harian Inggris-Amerika.[1][2][3] Karya-karya terkenalnya meliputi Goodbye to Berlin (1939), sebuah novel semi-autobiografi yang menginspirasi musikal Cabaret, A Single Man (1964) yang diadaptasi menjadi sebuah film oleh Tom Ford pada 2009, dan Christopher and His Kind (1976), sebuah memoir yang "mengantarnya ke jantung gerakan pembebasan gay".[4]
Referensi
[sunting | sunting sumber]Catatan
[sunting | sunting sumber]- ^ "Biography". Isherwoodfoundation.org. Diarsipkan dari versi asli tanggal 2017-06-27. Diakses tanggal 3 April 2020.
- ^ Berg, James J., ed. (2007). Isherwood on Writing. Minneapolis: University of Minnesota Press. hlm. 19. ISBN 9781452912936.
- ^ Bartelt, Chuck; Bergeron, Barbara (15 January 1986). "Variety Obituaries: 1905-1928". Variety. Obituary. ISBN 9780824008444.
- ^ Katherine Bucknell and Kevin Clarke, exhibition text, "My Dearest Sweet Love: Christopher Isherwood & Don Bachardy", Schwules Museum, Berlin, 15 June – 26 August 2019
Daftar pustaka
[sunting | sunting sumber]- Parker, Peter (2004) Isherwood: A Life, Picador. ISBN 1509859403
- Fryer, Jonathan (1977), Isherwood: A Biography, Garden City, NY, Doubleday & Company. ISBN 0-385-12608-5.
Bacaan tambahan
[sunting | sunting sumber]- Berg, James J. and Freeman, Chris eds, Isherwood in Transit (2020) ISBN 978-1-5179-0910-9
- Berg, James J. and Freeman, Chris eds, Conversations with Christopher Isherwood (2001)
- Berg, James J. and Freeman, Chris eds. The Isherwood century: essays on the life and work of Christopher Isherwood (2000)
- Finney, Brian. Christopher Isherwood: A Critical Biography (1979)
- Marsh, Victor. Mr Isherwood Changes Trains: Christopher Isherwood and the search for the 'home self (2010) Clouds of Magellen ISBN 9780980712056
- Page, Norman. Auden and Isherwood: The Berlin Years (2000)
- Prosser, Lee. Isherwood, Bowles, Vedanta, Wicca, and Me (2001) ISBN 0-595-20284-5
- Prosser, Lee. Night Tigers (2002) ISBN 0-595-21739-7
Pranala luar
[sunting | sunting sumber]Wikiquote memiliki koleksi kutipan yang berkaitan dengan: Christopher Isherwood.
- Christopher Isherwood di IMDb (dalam bahasa Inggris)
- Christopher Isherwood di Internet Broadway Database
- Christopher Isherwood di Internet Off-Broadway Database
- Summers, Claude J. "Isherwood, Christopher (1904–1986)". glbtq.com. Diarsipkan dari versi asli tanggal 4 January 2015. Diakses tanggal 6 February 2015.
- Summers, Claude J. (1 February 2010). "A Single Man: Ford's Film / Isherwood's Novel". glbtq.com. Diarsipkan dari versi asli tanggal 6 February 2015. Diakses tanggal 6 February 2015.
- Isherwood Exhibit at the Huntington Diarsipkan 25 January 2007 di Wayback Machine.
- Scobie, W.I. (Spring 1974). "Christopher Isherwood, The Art of Fiction No. 49". The Paris Review. Spring 1974 (57).
- LitWeb.net: Christopher Isherwood Biography
- Christopher Isherwood Foundation Diarsipkan 2015-05-17 di Wayback Machine.
- Christopher Isherwood Collection Diarsipkan 2012-03-01 di Wayback Machine. at the Harry Ransom Center at the University of Texas at Austin
- "Huxley on Huxley". Dir. Mary Ann Braubach. Cinedigm, 2010. DVD. Diarsipkan dari versi asli tanggal 8 November 2014. Diakses tanggal 5 August 2013.
- Where Joy Resides An Isherwood Reader
- "Cabaret Berlin" Information on Christopher Isherwood and the entertainment of the Weimar era
- Materials related to Christopher Isherwood in the Robert A. Wilson collection held by Special Collections, University of Delaware