Olivier Messiaen

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Olivier Messiaen tahun 1986

Olivier Eugène Prosper Charles Messiaen[1] (UK /ˈmɛsiæ̃/,[2] US /mɛˈsjæ̃, mˈsjæ̃, mɛˈsjɒ̃/;[3][4][5] bahasa Prancis: [ɔlivje mɛsjɑ̃]; 10 Desember 1908 – 27 April 1992) adalah seorang komponis Prancis, organis, dan ornitologis, ia merupakan salah satu komposer utama pada abad ke-20.

Catatan[sunting | sunting sumber]

  1. ^ Griffiths 2001.
  2. ^ "Messiaen, Olivier". Lexico UK Dictionary. Oxford University Press. Diakses tanggal August 18, 2019. 
  3. ^ "Messiaen". The American Heritage Dictionary of the English Language (edisi ke-5th). Boston: Houghton Mifflin Harcourt. 2014. 
  4. ^ "Messiaen". Collins English Dictionary. HarperCollins. Diakses tanggal August 18, 2019. 
  5. ^ "Messiaen". Merriam-Webster Dictionary. Diakses tanggal August 18, 2019. 

Referensi[sunting | sunting sumber]

Bacaan selanjutnya[sunting | sunting sumber]

  • Baggech, Melody Ann (1998). An English Translation of Olivier Messiaen's "Traite de Rythme, de Couleur, et d'Ornithologie" Norman: The University of Oklahoma.
  • Barker, Thomas (2012). "The Social and Aesthetic Situation of Olivier Messiaen's Religious Music: Turangalîla Symphonie." International Review of the Aesthetics and Sociology of Music 43/1:53–70.
  • Benitez, Vincent P. (2000). "A Creative Legacy: Messiaen as Teacher of Analysis." College Music Symposium 40: 117–39.
  • Benitez, Vincent P. (2001). "Pitch Organization and Dramatic Design in Saint François d’Assise of Olivier Messiaen." PhD diss., Bloomington: Indiana University.
  • Benitez, Vincent P. (2002). “Simultaneous Contrast and Additive Designs in Olivier Messiaen’s Opera Saint François d’Assise.” Music Theory Online 8.2 (August 2002). Music Theory Online
  • Benitez, Vincent P. (2004). "Aspects of Harmony in Messiaen's Later Music: An Examination of the Chords of Transposed Inversions on the Same Bass Note." Journal of Musicological Research 23, no. 2: 187–226.
  • Benitez, Vincent P. (2004). "Narrating Saint Francis's Spiritual Journey: Referential Pitch Structures and Symbolic Images in Olivier Messiaen's Saint François d'Assise." In Poznan Studies on Opera, edited by Maciej Jablonski, 363–411.
  • Benitez, Vincent P. (2008). “Messiaen as Improviser.” Dutch Journal of Music Theory 13, no. 2 (May 2008): 129–44.
  • Benitez, Vincent P. (2009). “Reconsidering Messiaen as Serialist.” Music Analysis 28, nos. 2–3 (2009): 267–99 (published April 21, 2011).
  • Benitez, Vincent P. (2010). "Messiaen and Aquinas." In Messiaen the Theologian, edited by Andrew Shenton, 101–26. Aldershot: Ashgate.
  • Benítez, Vincent Pérez (2019). Olivier Messiaen's Opera, Saint François d'Assise. Bloomington, IN: Indiana University Press. ISBN 978-0-253-04287-3.
  • Boivin, Jean (1993). "La Classe de Messiaen: Historique, reconstitution, impact". Ph.D. diss. Montreal: Ecole Polytechnique, Montreal.
  • Boswell-Kurc, Lilise (2001). "Olivier Messiaen's Religious War-Time Works and Their Controversial Reception in France (1941–1946) ". Ph.D. diss. New York: New York University.
  • Bruhn, Siglind (2007). Messiaen's Contemplations of Covenant and Incarnation: Musical Symbols of Faith in the Two Great Piano Cycles of the 1940s. Hillsdale, NY: Pendragon Press. ISBN 978-1-57647-129-6. 
  • Bruhn, Siglind (July 7, 2008). Messiaen's Interpretations of Holiness and Trinity: Echoes of Medieval Theology in the Oratorio, Organ Meditations, and Opera. Dimension & diversity, no. 10. (dalam bahasa Inggris) (edisi ke-1st). Hillsdale, NY: Pendragon Press. hlm. 229. ISBN 978-1-57647-139-5. OCLC 227191541. 
  • Burns, Jeffrey Phillips (1995). "Messiaen's Modes of Limited Transposition Reconsidered". M.M. thesis, Madison: University of Wisconsin-Madison.
  • Cheong Wai-Ling (2003). "Messiaen's Chord Tables: Ordering the Disordered". Tempo 57, no. 226 (October): 2–10.
  • Cheong Wai-Ling (2008). "Neumes and Greek Rhythms: The Breakthrough in Messiaen's Birdsong". Acta Musicologica 80, no. 1:1–32.
  • Dingle, Christopher (2013). Messiaen's Final Works. Farnham, UK: Ashgate. ISBN 978-0-7546-0633-8.
  • Fallon, Robert Joseph (2005). "Messiaen's Mimesis: The Language and Culture of The Bird Styles". Ph.D. diss. Berkeley: University of California, Berkeley.
  • Fallon, Robert (2008). "Birds, Beasts, and Bombs in Messiaen's Cold War Mass". The Journal of Musicology 26, no. 2 (Spring): 175–204.
  • Festa, Paul (2008). Oh My God: Messiaen in the Ear of the Unbeliever. San Francisco: Bar Nothing Books. 
  • Goléa, Antoine (1960). Rencontres avec Olivier Messiaen. Paris: Julliard. 
  • Hardink, Jason M. (2007). "Messiaen and Plainchant". D.M.A. diss. Houston: Rice University.
  • Harris, Joseph Edward (2004). "Musique coloree: Synesthetic Correspondence in the Works of Olivier Messiaen". Ph.D. diss. Ames: The University of Iowa.
  • Hill, Matthew Richard (1995). "Messiaen's Regard du silence as an Expression of Catholic Faith". D.M.A. diss. Madison: The University of Wisconsin, Madison.
  • Laycock, Gary Eng Yeow (2010). "Re-evaluating Olivier Messiaen's Musical Language from 1917 to 1935". Ph.D. diss. Bloomington: Indiana University, 2010.
  • Luchese, Diane (1998). "Olivier Messiaen's Slow Music: Glimpses of Eternity in Time". Ph.D. diss. Evanston: Northwestern University
  • McGinnis, Margaret Elizabeth (2003). "Playing the Fields: Messiaen, Music, and the Extramusical". Ph.D. diss. Chapel Hill: The University of North Carolina at Chapel Hill.
  • Nelson, David Lowell (1992). "An Analysis of Olivier Messiaen's Chant Paraphrases". 2 vols. Ph.D. diss. Evanston: Northwestern University
  • Ngim, Alan Gerald (1997). "Olivier Messiaen as a Pianist: A Study of Tempo and Rhythm Based on His Recordings of Visions de l'amen". D.M.A. diss. Coral Gables: University of Miami.
  • Peterson, Larry Wayne (1973). "Messiaen and Rhythm: Theory and Practice". Ph.D. diss. Chapel Hill: The University of North Carolina at Chapel Hill
  • Puspita, Amelia (2008). "The Influence of Balinese Gamelan on the Music of Olivier Messiaen". D.M.A. diss. Cincinnati: University of Cincinnati
  • Reverdy, Michèle (1988). L'Œuvre pour orchestre d'Olivier Messiaen. Paris: Alphonse Leduc. ISBN 978-2-85689-038-7. 
  • Rischin, Rebecca (2006). For the End of Time: The Story of the Messiaen Quartet (edisi ke-New). Cornell University Press. ISBN 978-0-8014-7297-8. 
  • Schultz, Rob (2008). "Melodic Contour and Nonretrogradable Structure in the Birdsong of Olivier Messiaen". Music Theory Spectrum 30, no. 1 (Spring): 89–137.
  • Shenton, Andrew (1998). "The Unspoken Word: Olivier Messiaen's 'langage communicable'". Ph.D. diss. Cambridge: Harvard University.
  • Shenton, Andrew (2008). Olivier Messiaen's System of Signs. Abingdon, Oxon & New York: Routledge. ISBN 978-0-7546-6168-9. 
  • Shenton, Andrew, ed. (2010). Messiaen the Theologian. Abingdon, Oxon & New York: Routledge. ISBN 978-0-7546-6640-0. 
  • Sholl, Robert (2008). Messiaen Studies. Cambridge & New York: Cambridge University Press. ISBN 978-0-521-83981-5. 
  • Simeone, Nigel (2004). "'Chez Messiaen, tout est priére': Messiaen's Appointment at the Trinité". The Musical Times 145, no. 1889 (Winter): 36–53.
  • Simeone, Nigel (2008). "Messiaen, Koussevitzky and the USA". The Musical Times 149, no. 1905 (Winter): 25–44.
  • Waumsley, Stuart (1975). The Organ Music of Olivier Messiaen (edisi ke-New). Paris: Alphonse Leduc. OCLC 2911308; LCCN 77-457244. 
  • Welsh Ibanez, Deborah (2005). Color, Timbre, and Resonance: Developments in Olivier Messiaen's Use of Percussion Between 1956–1965. D.M.A. diss. Coral Gables: University of Miami
  • Zheng, Zhong (2004). A Study of Messiaen's Solo Piano Works. Ph.D. diss. Hong Kong: The Chinese University of Hong Kong.

Film[sunting | sunting sumber]

  • Apparition of the Eternal Church – Paul Festa's 2006 film about responses of 31 artists to Messiaen's music.
  • Messiaen at 80 (1988). Directed by Sue Knussen. BFI database entry.
  • Olivier Messiaen et les oiseaux (1973). Directed by Michel Fano and Denise Tual.
  • Olivier Messiaen – The Crystal Liturgy (2007 [DVD release date]). Directed by Olivier Mille.
  • Olivier Messiaen: Works (1991). DVD on which Messiaen performs "Improvisations" on the organ at the Paris Trinity Church.
  • The South Bank Show: Olivier Messiaen: The Music of Faith (1985). Directed by Alan Benson. BFI database entry.
  • Quartet for the End of Time, with the President's Own Marine Band Ensemble, A Film by H. Paul Moon

Pranala luar[sunting | sunting sumber]

Rekaman[sunting | sunting sumber]