Berkas:François Boucher - A young lady holding a pug dog - Google Art Project.jpg

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Ringkasan

François Boucher: A young lady holding a pug dog  wikidata:Q20434356 reasonator:Q20434356
Seniman/Pembuat
François Boucher  (1703–1770)  wikidata:Q180932 q:ru:Франсуа Буше
 
François Boucher
Deskripsi French pelukis, pembuat grafis, tapestry designer, ilustrator, etcher dan penggambar
Tanggal kelahiran/kematian 29 September 1703 Sunting ini di Wikidata 30 Mei 1770 Sunting ini di Wikidata
Tempat kelahiran/kematian Paris Paris
Periode pengerjaan 1720 - 1770
date QS:P,+1750-00-00T00:00:00Z/7,P580,+1720-00-00T00:00:00Z/9,P582,+1770-00-00T00:00:00Z/9
Tempat pengerjaan
Paris (1720–1770), Northern Netherlands (1766)
Pengawasan otoritas
creator QS:P170,Q180932
 Sunting ini di Wikidata
image of artwork listed in title parameter on this page
Judul
A young lady holding a pug dog
label QS:Len,"A young lady holding a pug dog"
label QS:Lfr,"Jeune femme tenant un carlin"
Object type lukisan Sunting ini di Wikidata
Deskripsi
description
English: "With his pupil Fragonard, François Boucher is rightly held to epitomise the rococo sensibility in French eighteenth-century painting. Refined in intelligence as much as in taste, Boucher's art is a celebration of surface, not superficiality. His love of silks, satins, velvets, furs and brocades is exceeded only by his devotion to the pearly properties of youthful skin, especially female skin. Whether painting the mythical subjects that characterise his larger commissions, or, as here, an intimate portrait of his wife, Marie-Jeanne Buseau, Boucher brought to the task an attention to detail and a sense of delight that are definitively rococo.This painting wittily, and not at either's expense, juxtaposes the very different beauties of a charming woman and her lapdog. The latter is a canine inclusion not without sexual connotation in the iconography of the period - though Boucher can hardly be thought to portray his spouse in the role of teasing mistress. The slightly generic cast of her face, echoing those of the nymphs and shepherdesses prolifically rendered by this artist, is attributable to the fact that Marie-Jeanne was Boucher's model for almost two decades." [1]
Tanggal circa / 1740s
date QS:P,+1740-00-00T00:00:00Z/8
 Sunting ini di Wikidata
Bahan oil on canvas Sunting ini di Wikidata
Ukuran Tinggi: 34,5 cm Sunting ini di Wikidata; lebar: 28,6 cm Sunting ini di Wikidata
dimensions QS:P2048,+34.5U174728
dimensions QS:P2049,+28.6U174728
institution QS:P195,Q705551
Lokasi
Ground floor, 15th–19th c European art
Kode inventaris
Place of creation Paris (presumably )
Sejarah objek by 1906
date QS:P,+1906-00-00T00:00:00Z/7,P1326,+1906-00-00T00:00:00Z/9
: C.J. Wertheimer, London by 1906
date QS:P,+1906-00-00T00:00:00Z/7,P1326,+1906-00-00T00:00:00Z/9
- before 1925
date QS:P,+1925-00-00T00:00:00Z/7,P1326,+1925-00-00T00:00:00Z/9
: Joseph Bardac, Paris by 1932
date QS:P,+1932-00-00T00:00:00Z/7,P1326,+1932-00-00T00:00:00Z/9
: Hector Pétin, Paris by 1964
date QS:P,+1964-00-00T00:00:00Z/7,P1326,+1964-00-00T00:00:00Z/9
- 5 Maret 1970
: Mme. Hector Pétin, Paris

5 Maret 1970: purchased by Agnew's, London, at an anonymous sale at Palais Galliera (auction house), lot no. 16

Oktober 1970: purchased by James Fairfax (1933), Bowral, from Agnew's, London

4 Juni 1992: given to Art Gallery of New South Wales, Sydney, by James Fairfax, Bowral
Exhibition history

Exposition François Boucher (1703-1770), Hôtel de Jean Charpentier, Paris, 9 Juni 1932–10 Juli 1932, kat. no.  99, p. 44.

Réhabilitation du sujet, André J. Seligmann, Paris, 17 November 1934–9 Desember 1934, kat. no.  14, p. 27.

Exposition de portraits français de 1400 à 1900, André J. Seligmann, Paris, 9 Juni 1936–1 Juli 1936, kat. no.  46, p. 42.

François Boucher. Premier peintre du roi, 1703-1770, Galerie Cailleux, Paris, Mei 1964–Juni 1964, kat. no.  31.

France in the eighteenth century, Royal Academie of Arts, London, 6 Januari 1968–3 Maret 1968, kat. no.  45, p. 48.

Paintings and drawings from Agnew's, London, David Jones Art Gallery, Sydney, 7 Oktober 1970–24 Oktober 1970, kat. no.  27.

Private treasures. An exhibition of art from Australian private collectors covering a period of five centuries, David Jones' Art Gallery, Sydney, 10 Januari 1978–21 Januari 1978, kat. no.  8.

The James Fairfax collection of old masters, Art Gallery of New South Wales, Sydney, 25 April 1992–14 Juni 1992, without kat. no. 

Great gifts, great patrons. An exhibition celebrating private patronage of the Gallery, Art Gallery of New South Wales, Sydney, 17 Agustus 1994–19 Oktober 1994, without kat. no. 

The James Fairfax collection of old master paintings, drawings and prints, Art Gallery of New South Wales, Sydney, 17 April 2003–20 Juli 2003, ISBN 0734763417, p. 37-39.
Tipe akuisisi Gift of James Fairfax AC
Referensi https://www.artgallery.nsw.gov.au/collection/works/118.1992/ Sunting ini di Wikidata
Sumber/Fotografer www.google.com/culturalinstitute : Home : info

Lisensi

Ini adalah suatu perbanyakan fotografis dari sebuah karya seni dua dimensi. Karya seni tersebut berada pada domain publik karena alasan berikut:
Public domain

The author died in 1770, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


Karya ini berada dalam domain publik di Amerika Serikat karena karya ini dipublikasikan (atau didaftarkan di U.S. Copyright Office) sebelum 1 Januari 1929.

Posisi resmi Wikimedia Foundation adalah bahwa "faithful reproductions of two-dimensional public domain works of art are public domain, and that claims to the contrary represent an assault on the very concept of a public domain". Untuk detilnya, lihat Commons:When to use the PD-Art tag.
Oleh karena itu, perbanyakan fotografis ini juga dianggap berada pada domain publik. Mohon diperhatikan bahwa hukum lokal mungkin saja melarang atau membatasi penggunaan kembali berkas ini di wilayah hukum anda. Lihat Commons:Reuse of PD-Art photographs.

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